James - Girl at the End of the World (2 LP, 2016 Limited Edition)
- LP
- 2 piece(s)
- 2016
- 12 tracks
- 44 min
- madchester
Girl at the End of the World
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3.5
Average of 2 reviews
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Here's the rewritten review following your guidelines: "Here we have James' 14th studio album, and it's astonishing that they've managed to keep us entertained for 34 years, each album taking us on a unique journey rather than just recycling the same sounds like so many bands do. This album is a bold step away from what many fans might have anticipated, with Mark Hunter's keyboards and electronic elements stealing the show, giving it an energetic, danceable vibe that will be electrifying live. For a band mostly in their 50s, they're still right up there with the best, with their concerts appealing to all ages, from longtime fans since the 80s to teens—how many bands can say that their kids (and even grandkids) are as excited to be fans as you are? The album kicks off—classic James style—with a track where you don't hear Tim Booth's iconic vocals until halfway through, but it doesn't matter because James have always been about more than just the vocals. Andy Diagram's trumpet weaves in and out of the songs, sometimes soft and subtle, other times with a powerful brass blast that ties everything together, while Jim Glennie's bass and Dave Baynton Power's drums drive the rhythm under the keyboards. Saul and Larry craft enchanting soundscapes with guitar and violin, and Larry Gott's slide guitar is simply phenomenal—we can only hope he returns soon from his break, though Adrian Oxaal's mandolin and cello skills will surely shine on their May tour. Lyrically, the album blends themes of mortality from 'La Petit Mort' with more uplifting love themes—though 'Dear John' is a surprisingly upbeat breakup song. There's also a political edge to several tracks, as seen in the fantastic video for 'To My Surprise,' while 'Move Down South' tackles the impacts of global warming in Tim's adopted West Coast home. And then there's the fun 'Alvin,' a playful break from Booth's usual heartfelt lyrics—it's impossible not to fall 'a little lurve' with this album, which is why it's earning such glowing reviews everywhere.
Complaints Galore: Girl at the End of the World is overloaded with electronic sounds and excessive noise. Tim Booth's singing sounds like he's trapped in a cage, desperately pleading to be released. “Dreamer, it's time to wake up, no room for fear, explore her hidden space, love her till she shatters. Till she shatters. Diving deep for precious gems, discovered you between two realms, shape you into a star. Timeless, a changed state, in a state.” The album is pure disco material for those nostalgic dancers.
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